BRIGHT LIGHTS BIG CITY REVISITED
DOG n CAT Records [DAC-194] ,  2 CD 		     << Prev   catalogue #4228      Next >>
CD 1:
1. You Can't Judge A Book By The Cover [00:45] 
2. Diddley Daddy [02:41] 
3. Road Runner [03:06] 
4. Bright Lights, Big City [02:27] 
5. I Want To Be Loved [02:05] 
6. Baby What's Wrong [03:28] 
7. Come On [02:04] 
8. Memphis, Tennessee [02:22] 
9. Roll Over Beethoven [02:18] 
10. Go Home, Girl [02:27] 
11. That Girl Belongs To Yesterday [02:03] 
12. Leave Me Alone [01:42] 
13. It Should Be You [01:42] 
14. Not Fade Away [01:55] 
15. Andrew's Blues [03:07] 
16. WAKE UP IN THE MORNING (a.k.a. RICE KRISPIES JINGLE) [00:28] 
17. Try A Little Harder [02:29] 
18. Some Things Just Stick In Your Mind [02:34] 
19. Tell Me (You're Coming Back) [03:04] 
20. As Time Goes By [02:23] 
21. Reelin' And Rockin' [03:35] 
22. Beautiful Delilah [02:12] 
23. Stewed And Keefed [04:11] 
24. High-Heel Sneakers [03:01] 
25. Tell Me Baby [01:56] 
26. Down in the Bottom [02:45] 
27. Look What You've Done [02:21] 
28. Around And Around [02:48] 
29. I Can't Be Satisfied [02:32] 
30. Each And Every Day Of The Year [02:45] 
31. Heart Of Stone [04:12] 
CD 2:
1. Blue Turns to Grey [02:47] 
2. We're Wasting Time [02:56] 
3. Hear It [03:08] 
4. (Walkin' Thru) The Sleepy City [03:07] 
5. Susie Q [01:56] 
6. We Were Falling In Love [02:02] 
7. Everybody Needs Somebody To Love [05:11] 
8. Heart Of Stone [02:49] 
9. Mercy, Mercy [02:47] 
10. Key To The Highway [03:22] 
11. Good Bye Girl [02:13] 
12. Little Red Rooster [01:13] 
13. The Last Time [03:27] 
14. I'd Much Rather Be with the Boys [02:18] 
15. Try Me [02:27] 
16. (I Can't Get No) Satisfaction [03:55] 
17. (I Can't Get No) Satisfaction [03:51] 
18. Get Off Of My Cloud [03:03] 
19. Looking Tired [02:18] 
20. 19th Nervous Breakdown [03:53] 
21. 19th Nervous Breakdown [04:01] 
22. Have You Seen Your Mother, Baby, Standing in the Shadow? [02:31] 
23. Let's Spend the Night Together [03:48] 
24. Have You Seen Your Mother, Baby, Standing in the Shadow? [02:36] 
25. Get Yourself Together (aka Can't Believe it) [03:13] 
26. Trouble In Mind [03:47] 
• 1962-10-27: Curly Clayton Sound Studio, London, UK, Studio Session
Track: 1 ( CD 1 )

• 1963-03-11: IBC Studios, London, UK, Studio Session
Track: 2 ( CD 1 )
Track: 3 ( CD 1 )
Track: 4 ( CD 1 )
Track: 5 ( CD 1 )
Track: 6 ( CD 1 )

• 1963-09-23: Saturday Club, London, UK, Radio performance
Track: 7 ( CD 1 )
Track: 8 ( CD 1 )
Track: 9 ( CD 1 )

• 1963-11-14: De Lane Lea Studios, London, UK, Studio Session
Track: 10 ( CD 1 )

• 1963-11-20: Regent Sound Studios, London, UK, Studio Session
Track: 11 ( CD 1 )
Track: 12 ( CD 1 )
Track: 13 ( CD 1 )

• 1964-01-10: Regent Sound Studios, London, UK, Studio Session
Track: 14 ( CD 1 )

• 1964-02-04: Regent Sound Studios, London, UK, Studio Session
Track: 15 ( CD 1 )

• 1964-02-06: Pye Studios, London, UK, Studio Session
Track: 16 ( CD 1 )

• 1964-02-13: Regent Sound Studios, London, UK, Studio Session
Track: 17 ( CD 1 )
Track: 18 ( CD 1 )

• 1964-02-24: Regent Sound Studios, London, UK, Studio Session
Track: 19 ( CD 1 )

• 1964-03-11: De Lane Lea Studios, Holborn, UK, Studio Session
Track: 20 ( CD 1 )

• 1964-03-18: Radio Luxembourg, London, UK, Radio performance
Track: 21 ( CD 1 )

• 1964-04-13: Saturday Club, London, UK, Radio performance
Track: 22 ( CD 1 )

• 1964-06-10: Chess Studios, Chicago, IL, Studio Session
Track: 23 ( CD 1 )

• 1964-06-11: Chess Studios, Chicago, IL, Studio Session
Track: 24 ( CD 1 )
Track: 25 ( CD 1 )
Track: 26 ( CD 1 )
Track: 27 ( CD 1 )

• 1964-07-17: 'Top Gear', London, UK, Radio performance
Track: 28 ( CD 1 )
Track: 29 ( CD 1 )

• 1964-08-31: Regent Sound Studios and Decca Studios, London, UK, Studio Session
Track: 30 ( CD 1 )
Track: 1 ( CD 2 )
Track: 2 ( CD 2 )
Track: 3 ( CD 2 )
Track: 4 ( CD 2 )

• 1964-07-21: Regent Sound Studios, London, UK, Studio Session
Track: 31 ( CD 1 )

• 1964-09-28: Regent Sound Studios, London, UK, Studio Session
Track: 5 ( CD 2 )
Track: 6 ( CD 2 )

• 1964-11-02: RCA Studios, Los Angeles, CA, Studio Session
Track: 7 ( CD 2 )
Track: 8 ( CD 2 )

• 1964-11-08: Chess Studios, Chicago, IL, Studio Session
Track: 9 ( CD 2 )
Track: 10 ( CD 2 )
Track: 11 ( CD 2 )

• 1965-01-06: ABC Theatre (1st show), Belfast, Northern Ireland, Live Concert
Track: 12 ( CD 2 )

• 1965-01-17: RCA Studios, Los Angeles, CA, Studio Session
Track: 13 ( CD 2 )

• 1965-02-20: Decca Studios, London, UK, Studio Session
Track: 14 ( CD 2 )

• 1965-05-10: Chess Studios, Chicago, IL, Studio Session
Track: 15 ( CD 2 )
Track: 16 ( CD 2 )

• 1965-05-12: RCA Studios, Hollywood, CA, Studio Session
Track: 17 ( CD 2 )

• 1965-09-05: RCA Studios, Los Angeles, CA, Studio Session
Track: 18 ( CD 2 )

• 1965-09-06: RCA Studios-Hollywood, Los Angeles, CA, Studio Session
Track: 19 ( CD 2 )

• 1965-12-03: RCA Studios, Hollywood, CA, Studio Session
Track: 20 ( CD 2 )
Track: 21 ( CD 2 )

• 1966-08-03: RCA Studios, Hollywood, CA, Studio Session
Track: 22 ( CD 2 )
Track: 23 ( CD 2 )

• 1966-08-31: IBC Studios, London, UK, Studio Session
Track: 24 ( CD 2 )

• 1966-11-08: Olympic Sound Studios, London, UK, Studio Session
Track: 25 ( CD 2 )
Track: 26 ( CD 2 )

Bootleg comments:
Released: 2020. Origin: Japan.
Excellent collection of outtakes and demo recordings of the early recordings.
Complitation of 24-bit digital remastered tracks.

Comments from Label:
DISC-1:
Track 1 is a demo acetate record recorded at Carly Clayton Studio in October, '62. It was aired on the British BBC radio in 1988, and this time the pitch, which was about a halftone slower, was also corrected.
Traacks 2-6 are demo sources recorded under the direction of Grin Johns at IBC Studios in March 1988. It is a transfer different from that recorded in the best edition GRRR! of 2012, "Diddley Daddy" has no uneven rotation of the guitar in the intro, "Bright Lights, Big City" has no high tone after 0 minutes 36 seconds Upgrade. The original master tape is said to be from Brian Jones's relics.
Tracks 7-9 from BBC "Saturday Club" in September '63. Re-broadcast on "STONES AT THE BEEB" in '85, and officially released on "ON AIR" in '17. In the 2017 edition, it was a pseudo stereo sound with emphasized low tones called Demix, but here it is recorded in the original mono sound. In "Come On", both the re-broadcast source and the release source are missing the first sound of the intro Bill Wyman's bass, but here it is recorded with no cut upgrade.
Tracks 10-13 are demo takes recorded at the Di Lane Lea studio in November '63. Uses transfer sound different from "MAD SHADOWS" (DAC-180).
Track 14 is an early version recorded in YD's "THE BLACK BOX". With slightly distorted high frequencies and a sound image closer to one channel, the sound quality is cleaner than before, and the speed was also normal.
Track 16 is the voice of the CM from the same video.
Track 19 is another version recorded only in the first edition of the 1st English LP of 1964, and remastered from VGP-307.
Track 20 is a demo source at Di Lane Lee Studio in March '64. Every good version of the sound in this take starts with a fade-in, but here it is recorded with an upgrade without fade-in.
Track 21 is a radio show source of Radio Luxembourg in March '64, from acetate owned by Bill Wyman. It has been recorded at Chicago chess so far, recorded from the new de-click remaster source.
Track 22 is from BBC "Saturday Club" in April '64. ' It was recorded in "ON AIR" released in 2017, but the intro was cut off suddenly and it was recorded suddenly as a start take. This work uses the upgraded source of "READY STEADY STONES" (VGP-248), which is recorded slightly longer than "ON AIR" from the narration part of the radio.
Tracks 23-26 are familiar Chicago chess sources of June '64. Recorded with new de-click remaster from mono acetate with high sound pressure.
Tracks 27 is also a stereo mix that was recorded in YD's "THE BLACK BOX" with Chicago chess source, and started from Mick's title call.
Tracks 28-29 are sources at the BBC Top Gear in July '64. Although it is an AM broadcast source, it exists in a very good condition. After all, it was recorded as "ON AIR" in '17 with a head cut, but here it is recorded with better sound quality without head loss, needle sound, and no delay processing after installation.
Tracks 17-18, 30-31, and DISC-2: Tracks 1 to 4 are sources in a session in the name of the Andrew Oldham Orchestra which was sporadically performed in '64. Mostly released in 1975 with the non-authorized version of "METAMORPHOSIS", these takes are early take collections before the overdub such as orchestration was released at the time of release.

DISC 2:
Track 5 is a version with a count and is transferred separately from "MAD SHADOWS" (DAC-180).
Track 6 includes existing acetate source in new de-click remaster version.
Tracks 7-8 is a take on the English LP "No.2", a new stereo remix. The separation is quite different from the conventional mix.
Tracks 9-11 is a Chicago chess source of November '64, recorded with "MAD SHADOWS" (DAC-180) and a new remastered source from the same master.
Track 12 is a rare rehearsal at Belfast in January '65.
Tracks 13, 17, 18, 20, 21, and 24 are unreleased stereo versions produced in 1966. "DARTFORD RENEGADES" (SCORPIO) is out for the first time, but this one is a transfer different from the already existing best "MAD SHADOWS" (DAC-180), and all the tracks have better high-pitched sound than the previous one.
Track 15 is the Chicago chess sound source of '65 May ' It was suddenly released in 18 years in a European BOX called "THE COMPLETE CHESS STUDIO SESSIONS". It is valuable because it has the same sound quality as the ones already recorded, but there are very few physical CD recordings to date.
Tracks 14 and 19 contain remastered source with clear sound quality that is newly declicked from mono acetate.
Tracks 18 and 24 are off-vocal sources created for backing when appearing on TV, and they are recorded in YD's "THE BLACK BOX" etc., but those recorded in this work are among the outstanding songs Recorded as a take with less uneven rotation.
Tracks 22 and 24 are new remasters from the same source as "MAD SHADOWS" (DAC-180).
Track 26 is from the session at the time of "BETWEEN THE BUTTONS" production, which was recorded only in the bonus single attached to Dieter Hoffman's book "WHITE BOOK" released in 1991.


Bootleg Artwork: